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*ขอกี๊ตตตดังๆ vh1 รีวิว E=MC² ทุกแทร็ค+บางเพลงที่เรายังไม่เคยรู้มาก่อน
ขอกรี๊ตตตหวีดจี7ลากยาว1นาทีแบบเช้ท็อปบ้าง ไม่ใช่อะไรตื่นเต้นมากกก ก็ตาแอลเอเชิญคนจาก vh1 ไป listening party แล้วที่อ๊อฟฟิศ งานนี้ทาง vh1 เลยมาเขียนรีวิวแบบแต่ละแทร็คเลย เท่าที่อ่านนะต้องบอกเลยว่าเลิศมากกกกกกกกกกกกก(ถ้ามันเป็นจริงอย่างที่รีวิวนะ) เขาว่าอัลบัมนี้ร้องเต็มเสียงเยอะนะจ๊ะ แถมเพลงบัลลาดก็เยอะพอตัวที่สำคัญ ถ้าใครรอบัลลาด+คลอเปียโนแบบเพลง Vanishing แล้วนั้น รับรองได้ฟังแน่ๆๆจ้า ไงไปอ่านรีวิวละกันเนอะ
ปล. น้องเอกรึใครที่แปลเก่งแปลเป็นไทยให้ด้วยนะจ๊ะ ขอบคุณมากมายจ้า
Yesterday, Island/Def Jam honcho L.A. Reid hosted a few journalists in his office for a special preview of Mariah Carey's upcoming E=MC² album, tentatively due April 15. While Reid looked on, Mariah's A&R man and long-rumored beau Mark Sudack played 12 of the album's cuts from his laptop, often passionately (and adorably!) singing along. On the album, there was drama, there was death, there was disco. What follows is a track-by-track breakdown of our impressions of the album. Note that this isn't the final track sequence, that L.A. ticked off the producers list to us but it is by no means etched in stone and the tracks that we heard weren't always mastered.
One final note: so much of this album is sung in Mariah's chest voice. The vocal gymnastics and whistle notes, while there ('cause, duh, it's Mariah!), take a backseat to clear, purposeful singing, and Mariah sounds better for it. Oh yeah, Mimi's back.
1. "Migrate" (co-produced by Danja) -- After announcing itself with Mariah's patented whistle notes, this club track gets to bangin' and it takes that task really seriously. It's about as meta as a banger gets, with Mariah explaining during the chorus how her night goes: "From the car to the club / We migrate / From the bar to the V.I.P. / We migrate." And so it goes, from the party to the after party, from the after party to the hotel. There's a slight autotune effect on Mariah's voice on the last "migrate" of each chorus, which I assume is to put her on equal ground with the man she shares the mic with here. T-Pain, mercifully shows up for just a guest verse -- this is not a full-blown duet. It's a feisty track, with tough Storch-esque beats that Mariah's bravado attempts to match: "If you're inked up thuggin', that's what I like," she says. See, I always thought she went for the pretty boys. Already we're learning stuff!
2. "Touch My Body" (co-produced with Christopher "Tricky" Stewart and The-Dream) -- There isn't much to say about this ultra-femme track that wasn't said when it leaked. Hard to believe that that was only a little more than week ago -- in the time since, it's become so ubiquitous that it's kind of hard to imagine what radio was like before it. Even L.A. seemed taken aback by how quickly it has caught on -- he described the track's out-of-the-gate success as virtually accidental.
3. "Last Kiss" (co-produced by Jermaine Dupri) -- One of the album's many declarations of eternal love, this one is "We Belong Together, Part 35." It's nice but extremely safe. One thing that's very much in its favor are Mariah's vocals, which are nimble as they are in "We Belong Together" (she changes up her flow more times than I could count) and maybe more robust than they've sounded in over a decade. There's a nice little duet at the end of this one between Mariah's full chest voice and her higher register. Of course, if she didn't show off that stellar natural resource, this wouldn't be a Mariah Carey album.
4. "Lovin' You Long Time" (co-produced by DJ Toomp) -- Pure and utter joy is this one, which is most reminiscent of the lovely Mimi outtake "When I Feel It." Except this one's, like, 10 times better. The chorus of DeBarge's "Stay With Me" is the foundation of this track (as opposed to the verses, which provided the foundation for the single remix of Biggie's "One More Chance" and Ashanti's "Foolish," among tracks). However, the sample sounds more weathered, and overall, the track comes off as a '60s throwback rather than an '80s one. One hundred percent feel-good and packing in a killer breakdown and conclusion that's a wall of Mariah voices, this was the first song that felt like the work of unstoppable pop genius.
จากคุณ :
ifwedo  
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23 ก.พ. 51 04:39:39
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