ความคิดเห็นที่ 10
เพิ่มเติมจาก FOMM
MIGRATE
-"Migrate" (co-produced by Danja) -- After announcing itself with Mariah's patented whistle notes, this club track gets to bangin' and it takes that task really seriously. It's about as meta as a banger gets, with Mariah explaining during the chorus how her night goes: "From the car to the club / We migrate / From the bar to the V.I.P. / We migrate." And so it goes, from the party to the after party, from the after party to the hotel. There's a slight autotune effect on Mariah's voice on the last "migrate" of each chorus, which I assume is to put her on equal ground with the man she shares the mic with here. T-Pain, mercifully shows up for just a guest verse -- this is not a full-blown duet. It's a feisty track, with tough Storch-esque beats that Mariah's bravado attempts to match: "If you're inked up thuggin', that's what I like," she says. See, I always thought she went for the pretty boys. Already we're learning stuff!
-Migrate, about a night out with Mariah while she wears jeans ("yeah, they fit", she informs us) is sure to be a candidate for heavy MTV rotation, although I hope to God they excise T-Pain's hopelessly strained vocals.
-MC really hit hard with absolute banger Migrate featuring T-Pain. Oh my daze!!! "We sippin' Grigio slow," murmurs Mariah over some serious dirty south bounce.
-The latter features T-Pain in a guest slot, providing the counterpoint to Carey's anthemic "single girls on the town" lyrics with the killer line: "Don't wait for me to buy drinks, or you're going to dehydrate."
-it sounds hip-hop with a heavy sound. Danja at the production, is responsible along with Timblalnd for the latest hits by Timberlake, Furtado and co., offers to the diva a heavy and smashing track. Notice the T-Pain presence which brings a lot to the track and lends a vocoder to Mariah who uses it wonderfully when she sings "Migrate". It sounds like "Snap" in 'Buy You A Drank' but enhanced. Be ready to bounce on this title which is truly made for the clubs and which is another potential single.
-It is one of her most hip-hop sounding uptempos, and will be perfect for clubs and Urban/Rap radio.
-The song starts off with the trademark high notes, and launches into a hard beat and she sings over. The song is extremely melodic, and by far one of her best uptempos in some time.
THAT CHICK
-. "That Chick" (co-produced by Stargate) -- Instant. Classic. An absolutely brilliant disco track that plays on Mariah's strengths and sexiness without ever crossing the line into indulgence. It's slick, it's chic (and Chic, with its slap-you-on-the-ass bass line), it's silly ("La da da a oooh wee-wee" goes the bit between the chorus and the verses) and it carries a killer middle 8 that's as exhilarating as the one in Michael Jackson's "P.Y.T." (you know, the best part of one of the best songs ever that goes, "Don't you know nowwwww / Is the perfect time..."?). Mariah makes references to 2Pac and Biggie, compares herself to ice cream and the lottery and maybe even references the long-lost track from the Charmbracelet sessions "Touch the Sky." Oh, and also she delivers the most her line of her career, complete with a 10-cent word: "I brings that levity." Maybe one day they'll bottle the essence of Mariah, but until then, we have "That Chick" and I seriously am counting down the days till I can hear this track again. This needs to be a single, like, now, and Mariah needs to dust off those "Heartbreaker" remix roller skates for the video, pronto.
-it was the title track "That Chick" with its double entendres which includes a tip of the hat to Michael Jackson with references to his "Of The Wall Classics" that had pop chart taste makers excited claiming it was the number 1 track on the album
-Pick of the bunch is the Janet-like title track That Chick, with its "taste me, gotta flavour like ice cream" hook.
-Mariah's tune is a rollerskating jam not unlike Ne-Yo's "Because of You." It just never stops bouncing.
-Nate "Danja" Hills, who produced "Migrate" (which features T-Pain), tells RS that on that track Carey "definitely opens up towards the end of the song and shows what Mariah does.
-'Ooh We eeh', remember this phrase well, it appears in this track produced by Stargate, who produced songs for Ne-Yo (So Sick), Beyonce (Irrepleceable) and Chris Brown (With You). It's a really fresh title. It has positive vibes. I was really seduced by this track which makes me think of "Because of You" by Ne-Yo but the diva brings a special touch with her to it, in a good way.
-It is pure disco mixed with a little Michael Jackson, but yet still very modern.
-The song samples a little bit of the lyrics from Michael Jackson's "P.Y.T.," it's a very disco-ish song.
-This song is banging. Much like "Migrate," this is one of the best uptempos Mariah has ever done. The song has been described as disco, and it really really is. The song is extremely catchy, she talks about having different flavors like ice cream, and does indeed sound a lot like Ne-Yo's "Because of You."
LOVE STORY
- "Love Story" (co-produced by Jermaine Dupri) -- Anther ode to endless love ("This ain't no fairy tale or fiction / This is truly ours for eternity"), this ballad is more of the baby-making ilk. It's like Prince-lite with a synthesized beat a la "The Beautiful Ones," but not as effects-laden (i.e. the beat doesn't have the backwards sound). The melody is reminiscent of Mimi's "Joyride," and that should give you an indication of how sweet this track is.
-Jermaine Dupri produced this track for the fans' pleasure who will certainly appreciate the track which sounds like a song from her previous album. The slow music makes me think of 'Until The End of Time' (Timberlake), probably due to the fact that a piano is very present.
-It was similar to the Mimi ballads, but different at the same time.
-The song is in the vein of "We Belong Together" and "Don't Forget About Us" in the sense that it's a ballad with a strong beat, but other than that it stands on its own. Mariah describes a love story and mentions how it's not like in the movies or Casablanca, and there's some fan-freaking-tastic belting at the end that sounds great.
จากคุณ :
Johan Carey   
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10 มี.ค. 51 00:32:43
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