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    [TXF2] รายงานการเยื่ยมกองถ่าย TXF2 และบทสัมภาษณ์ GA & DD ค่ะ

    เป็นบทความจากเวปไซต์ ShockTillYouDrop.com โห ขอซื้อชื่อได้เนี่ย ตั้งได้เจ็บตับมากเลยค่ะ เกร๋ซะ

    คนเขียนได้ไปเยี่ยมกองถ่ายมา และนำมาเขียน น่าสนใจทีเดียวค่ะ แถมด้วยบทสัมภาษณ์พระนางของเรื่องมาด้วย สนุกสนานตามประสาเค้าหละ ลองอ่านดูนะคะ

    Credit : http://www.shocktillyoudrop.com/news/topnews.php?id=5657 และ เวปไซต์เจ๊ที่บอกข่าวดีๆแบบนี้ค่ะ

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    A Set Visit to the X-Files Sequel!
    Source:Ryan Rotten April 16, 2008


    It began with a werewolf. I'm speaking about my interest, that is, in 20th Century Fox's brand spankin' new X-Files feature film. But for the sake of explanation and full disclosure, allow me to back up and come clean about a few things. As a fan once living in New York City, I attended one of the first X-Files fan conventions at the Javits Center. First in line. Opening day. Stamp "Chick Magnet" on me now. Yes, I had an appreciation of the show and, like so many out there, my fascination with the quest for truth - spearheaded by Fox Mulder and Dana Scully - checked out the back door when the ninth season rolled around and T-1000 joined the FBI with Annabeth Gish. Six years later, series creator Chris Carter, longtime contributor Frank Spotnitz and company are picking up the pieces with this enigmatic new venture.

    And it may or may not have anything to do with a hirsute beast.

    You see, a certain "spy photo" leaked online a few weeks prior to my receiving an invite to visit the Vancouver location of the film. Said snapshot revealed a professional exchange between Carter and a lycanthrope (some dude in a suit) on set. Was it a ruse? Something to throw us journos off the beaten path from the secrecy-enshrouded plot? Whatever the case, it was enough to stir long dormant pangs of excitement in this X-Files fan. After all, what X-phile worth his or her salt wouldn't be excited over the prospect of a creature feature recalling the days of the Flukeman?

    I ride in a production van to the Playland Amusement Park in Vancouver, Canada with all of this in mind. - hoping to perhaps eye a swatch of fur, a yellowed claw, anything to confirm, or even deny, the "werewolf" talk.

    This latest X-Files marks a return home for Carter and his crew. When the series began in '93 lensing took place in Vancouver before the production ultimately moved to Los Angeles. Familiar faces of X-Files' past populate the crew providing the director with a comfortable insulation. John Bartley, director of photography on seasons one through three, is working second unit alongside first assistant director and ex-Lone Gunman Tom Braidwood. Meanwhile Bill Roe, from the Los Angeles days, resumes his duties as d.p. on first unit. Then, of course, there's Duchovny and Anderson as Mulder and Scully, respectively. They're joined this time by newcomers Amanda Peet (Identity), Billy Connelly (Fido) and Xzibit, in a slice of arguably inspired casting.

    The entrance to Playland directs one past a roller coaster - the same one used by James Wong (another X-Files alum) for the opening of Final Destination 3. But where I'm heading is to the ice rink, that's where the crew is working today. Inside it appears the converted rink has been bisected, most of the action is predominantly occurring around a faux house facade garnished with the foliage. "This would be Mulder's house," co-writer and producer Frank Spotnitz informs us, greeting ShockTillYouDrop.com by the porch. He's enjoying the warmer environs here after shooting for three weeks in sub-zero temperatures north of Whistler in Pemberton. "It matches the real house [located in Fort Langley] which is supposed to be somewhere around the Washington D.C. area in the movie." For Spotnitz, the realization of another X-Files case, "has been a dream. I didn't think it was going to happen - after six years, negotiations, working on the story."

    His cynicism is understandable and he estimates his commitment to a sequel was sealed in 2002 or '03. Where things get rocky is in the ensuing years and, as Spotnitz suggests, best explained by Carter. Luckily for us, we find the director by craft service, an enormous black poodle by his side.

    The years have been kind to Carter. Same ol' friendly eyes. Defined chin. White hair a stark contrast to the puffy black winter coat he hugs tight (not to mention his dog). He's a blue jeans kinda guy. "Fox had come to Frank Spotnitz and me and asked us to do the movie about a year after the TV series had wrapped," he clarifies. "We said yes and had worked out a story, pitched it to them, they said yes. We went into negotiations and those, shall we say, got protracted. All of a sudden there was this other issue and that took a couple of years to get resolved."

    จากคุณ : starbuck - [ 17 เม.ย. 51 22:26:40 ]

 
 


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