ความคิดเห็นที่ 2
 
http://www.public.asu.edu/~aarios/resourcebank/definitions/
If we stop to take a look, what difference can there possibly be between Surrealism and the marvelous real? This is very easily explained. The term magical realism was coined around 1924 or 1925 by a German art critic named Franz Roh what he called magical realism was simply painting where real forms are combined in a way that does not conform to daily reality. In fact, what Franz Roh calls magical realism is simply Expressionist painting. Now then if surrealism pursued the marvelous, one would have to say that it very rarely looked for it in reality. The marvelous real that I defend and that is our own marvelous real is encountered in its raw state, latent and omnipresent, in all that is Latin American. Here the strange is commonplace and always was commonplace. (Alejo Carpentier, The Baroque and the Marvelous Real. Magical Realism. Ed. Zamora and Faris, p. 102-104)
http://www.surlalunefairytales.com/boardarchives/2002/may2002/magicalrealism.html
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According to _The Encyclopedia of Fantasy_ (Clute and Grant), the term magical realism initially appeared in 1920's Germany, where it applied to certain artists working in a vein related to, but distinct from, Surrealism; the difference being that the magical realists conceived of a discernible reality as a frame for their fantastic imagery -- as opposed to the Surrealists, whose strange material was completely divorced from "the real world." Magical realism had become attached to Latin American writers (Borges, Marquez) by the 1980's, and "subjects its various subjects to manipulations that make the fictional seem true, the historical seem imagined: but always within an ultimate frame that acknowledges the ongoing world." For Latin American writers, it became the primary lens through which to deal with the vast network of story of the region that European modes weren't really able to cope with; the slipperiness of story itself is a central concern of magical realists. Other writers the term applies to are Brian Aldiss, James P. Blaylock, Peter Carey, Angela Carter, E.L. Doctorow, John Fowles, Mark Helprin, Salman Rushdie, and Emma Tennant (618-19). Among YA writers, much William Mayne's stuff might also apply, as well as Garner's _The Owl Service_ and Margaret Mahy's material (esp. _The Tricksters_), but Block is most often cited (and she claims Borges and Marquez as influences).
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http://en.wikipedia.org/wiki/The_Encyclopedia_of_Fantasy
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[win] 
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18 มี.ค. 52 02:01:10
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