ความคิดเห็นที่ 57
 
#49 ยังไม่มีการยืนยันอย่างเป็นทางการนะครับว่าฟิลม์ของ Patterson-Gimlin นั้นเป็นของจริงหรือของปลอม ตัวฟิลม์เองก็ยังอยู่ในขั้นตอนการตรวจสอบอยู่ (ถึงจะตรวจสอบมาแล้วหลายสิบครั้งก็เถอะ) และนี่คือข้อมูลการวิเคราะห์ฟิลม์ของ Patterson-Gimlin ล่าสุดครับ
http://www.anomalymagazine.com/2009/03/02/the-patterson-gimlin-film-an-analysis/
My name is Noah David Henson. I’ve been studying human muscular and skeletal anatomy since 1984, both as a professional illustrator and as a student of physical anthropology. I studied collegiate anthropology, including primatology and human evolution, from 1988 – 1993, with enough hours to establish a minor in the subject attendant to my BFA from Texas State University.
his paper constitutes a skeptical analysis of a digitized, B&W video version of the 1967 Patterson-Gimlin film available on youtube. It’s 1:06 (m:s) in length, as posted by Youtube member Squatchinc on December 23, 2007, sourcing a digitally restored and enhanced video made by MK Davis.
Here is a breakdown of the progression of the 1:06 video, of which only the first thirty-three seconds are of interest for the purposes of this paper:
* :01 - :04 – Forward-then-reverse playback of the figure in forward ambulation
* :05 - :06 – Figure in forward ambulation
* :07 - :12 – Freeze-frame : Extreme close-up of figure’s facial profile (no crown visible)
* :13 - :17 – Freeze-frame : Extreme close-up of figure’s frontal face (with visible crown)
* :18 – :20 – Figure in forward ambulation with arms spread, turning back to look at camera
* :21 – :23 – Forward-then-reverse playback of figure in forward ambulation
* :24 - :26 – Figure in forward ambulation behind and between two vertical white trees
* :27 - :30 – Extreme close-up of figure’s right hand, with visible thumb flexion
* :31 - :33 – Figure in forward ambulation
For anyone interested in investigating the possibility that this film might depict a man in a suit, I recommend watching the video several times, finger depressing the pause button in various spots along the progression so as to examine the gait, musculature, limb proportions, and the distribution of hair — all of which, to my trained eye, appear to be non-human and which taken together exclude the possibility of a person in costume.
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